In today’s video, we’ll be discussing the color wheel and how to use it, the power of color and directing attention, and how to use these principles so that you can assemble stylish outfits. For those who are just breaking into the world of menswear, assembling outfits that are harmonious can seem to be a daunting challenge. After all, if you just throw a bunch of garments together with abandon and they feature all kinds of different colors, the end result might be that you end up looking like a clown. The first step to preventing this outcome then is to start by assembling a base wardrobe of solid and conservative colors. Namely things in the grayscale, shades of brown, and shades of blue. Regarding the grayscale, gray and white are far more versatile than solid black actually is. In fact, for more information on this topic, you can check out our video on how black is the most overrated color in menswear here and regarding browns and blues, you can take a look at our recent video on how to pair brown and blue effectively, you can find that here.
After assembling this base wardrobe, some men will then be tempted to try experimenting with different bolder colors and this doesn’t have to be a challenge. With that in mind, let’s cover the fundamental knowledge you’ll need to commit to memory in order to start experimenting, that is how to understand the color wheel. First pioneered by Sir Isaac Newton around 1665 to show the colors refracted from a beam of light, the concept of putting the colors of the rainbow in a circular orientation was soon applied to pigments as well thus, the modern color wheel was born. In order to start discussing the color wheel then, we’ll first turn to primary colors. The world of menswear mainly concerns itself with the color wheel used in the visual arts. As such, three colors we consider to be primary are red, yellow, and blue. What is a primary color then? Simply stated, primary colors are the foundational colors from which all other colors are mixed. In other words, you don’t mix any colors to get red, yellow, or blue, they simply are what they are.
Next up are the three secondary colors. Purple, also called violet, green, and orange. The secondary colors are made by mixing two primary colors together. For example, red and yellow combined to make orange. Referring again to the diagram of the color wheel, you can see that each secondary color is located directly in between the two primary colors that make it up. The final colors on the color wheel are intermediate colors also called tertiary colors. They’re made by mixing a primary color and a secondary color together. These colors can sometimes be referred to by their own unique names, for example, the combination of blue and green can sometimes be called teal but in more simple terms, they can also be referred to by simply combining the names of the colors that create them with the primary color coming first.
So for example, teal could also be called Blue-green. There are, of course, many thousands of variations in colors, each with their own specific names but for the general purposes of color theory, breaking the color wheel down into twelve simple parts should be sufficient. Next up, let’s talk about color temperature which refers to the perceived warmth of a color. Of the three primary colors, red and yellow are said to be warm whereas blue is considered cool. It follows then that any combination of red and yellow will also, by default, be a warm color. Meanwhile, when cool blue mixes with one of the warm primaries, different things result. While green is usually said to be a cool color, purple is often said to be a warm color. Even so, the relative temperatures of these secondary and intermediate colors can vary. For example, while green is collectively considered to be cool, a yellow-green will still be warmer than a Bluegreen.
Another important concept to understand is that of color intensity or the lightness or darkness of a color. Another word for color is hue and that’s usually the word used when we’re talking about the relative lightness or intensity of a color. If white is added to any color, this is referred to as a tint of that color. The result is a lighter and less intense hue. Conversely, if black is added to any color, this results in a shade, sometimes also called a tone, of that color. The result is darker and also less intense. For the highest intensity possible in a given color, just go with the default true hue.
Speaking of black and white, they’re not considered colors in the strictest sense since they’re not on the color wheel rather they reside on their own spectrum which we refer to as the grayscale since when black and white are mixed together in varying quantities, they result in different shades of gray. It’s also sometimes said that you can achieve black by mixing together all of the colors on the color wheel though this is really more of an approximation. You may also have noticed that Brown isn’t anywhere to be found on the color wheel, this is because in order to create a brown tone, certain colors have to be mixed together. This brings us to our next important point, color relationships. In addition to the colors on the wheel relating to each other in terms of how they mix together, they also have relationships in terms of how they interact when they’re kept separate. If that’s a little hard to understand, just keep your eye on the color wheel for these next few terms and everything should come together. The first term we’ll go over for these kinds of relationships is analogous colors.
Simply put, analogous colors are ones that are similar in temperature and are found close to each other and sometimes directly adjacent on the color wheel. Any color analogous to a primary color is a color that features that primary. So for example, everything from yellow-orange to red-orange is analogous to yellow because all of those colors feature some amount of yellow in them. The other important color relationship is that of complementary colors. In simplest terms, any two colors that are directly across from one another on the color wheel are considered complementary. Because of this distance apart from one another on the color wheel, complementary colors have the highest amount of contrast possible. Some examples of complementary colors include red and green, yellow and purple, and blue and orange. In addition, the designation of split complementary colors can be applied to any one color and the two direct analogs of that color’s complement.
To state that more simply with an example from the color wheel, red-purple and blue-purple are these split complementaries of yellow. So answering our question about how to get brown then, the simplest way to achieve a brown tone is to mix complementary or split complementary colors together. Simple, right? There’s a complete overview of the color wheel out of the way. With all that knowledge at hand, you might now be asking the broader question, why is it important to understand color relationships in terms of putting together your outfits? The answer is because color is the principal way that we can direct the eyes of others. The primary objective of any colors in an outfit should be directing the eyes of the viewer to your face and also making your face look as well colored and healthy as possible. What’s the best way of going about doing that? In short, there are two main methods for achieving this effect with your outfits.
The first of these techniques is to match the degree of contrast between the colors in your outfit to the degree of contrast between your skin tone and your hair color. Speaking of which, you can find our video on how to early determine your skin tone here. The second technique is to directly repeat or otherwise echo one of your natural colors whether that be your skin tone, hair color, or eye color in the colors of one or more of the garments that make up your outfit.
As such, here are our tips on how to wear and pair your colors effectively. Regarding the degree of contrast between a man’s skin tone and his hair color, men fall into one of three basic groups; high contrast, which is most typically characterized by fair skin and dark hair though the reverse could also be true for darker skinned men with dyed or graying hair, medium contrast where the colors are different but not to a large extent, and low contrast either fair-skinned with blond or graying hair or dark skin with dark hair. High contrast men can more safely experiment with wearing combinations of bolder colors. For example, pairing primaries or complementary colors together. Just don’t go for the true hues of all of these colors when you’re pairing them together or you will fall into that trap of looking like a clown.
Instead, try pairing primaries or complements that have been further augmented with tinting or shading. For example, you could wear a pastel blue shirt with a darker burnt orange tie, a medium contrast man can, of course, wear a garment that is bolder in color but he should be mindful that if he does so, it will draw some attention away from his face. Again as with many things in menswear, confidence is key here.
Low contrast men are the ones who should be most careful in pairing together contrasting colors, really make sure that you’ve muted the hues of the contrasting colors if you decide to wear them as that’s the best way that you’ll be able to pull them off. When it comes to having colors in an outfit that echo a man’s natural tones, the keys here are temperature and intensity.
We’ve covered this specific topic in depth in that video on how to find your specific skin tone so we’ll just give a brief overview of it here. If you have light skin and light hair, stick to wearing pastel shades with colors that echo your undertone. Colors like blue, green, or purple for a cool skin undertone and red, yellow, and orange for a warm undertone. Conversely, dark colors and black will most likely make your skin look washed out and ashen. The exception here is if you’re a man with light skin and very dark hair, in which case a high contrast man, and then, of course, you can go ahead and wear these darker colors. If you have fair skin and still want to go for a subtle contrast, take the cue from your hair color. The classic example here is that red-haired men typically look very good in pastel blue shirts. If you have medium skin and hair, you can start to experiment with more true hues though be mindful of them and follow the advice that we laid out in the previous section of the video.
Slight shades or tints of colors without being too extreme in either direction are going to work well for you. You can echo your undertones for a look that’s more harmonious or you can go with the complements of those colors for something that’s a little bit bolder and more fashion-forward. Finally, if you have dark skin and dark hair, you’re somewhat lucky in being able to wear both true hues and darker shades as your face is really in no danger of looking washed out by these darker colors. The one area to be careful in your position is if you try to wear extremely light tints of colors as the high contrast will still end up distracting from your face.
If you want to wear a lighter garment, we suggest that you do so in conjunction with other darker pieces. As with medium toned men, echo your undertones for more harmony and go with their complements for more contrast. In conclusion then, knowledge of the color wheel and the broader discipline of color theory is one of the most helpful and versatile tools in the well-dressed gentleman’s arsenal. With this knowledge, he can be confident that he’s put together harmonious outfits that complement his natural tones and draw proper attention to his face.