Oct 17, 2025
‣ Fifty years after its release, Andy Warhol’s autobiography gets a close reading from critic-curator Hilton Als, who probes its commentary on art and money for the Paris Review: By the time The Philosophy was published, Warhol had gone from queer...
Oct 17, 2025
Welcome to the 307th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists sew with human hair and manipulate the translucence of organza. Want to take part? Check out our submission guidelines and...
Oct 10, 2025
‣ For the Boston Review, Joan Wallach Scott reflects painfully and lyrically on today’s neo-McCarthyism, as the son of a former teacher who lost his job because of the original: My response to injustice these days is visceral rage at the powerful, but it’s...
Oct 10, 2025
Welcome to the 306th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists bring natural dyes to life and restore vessels as they sculpt. Want to take part? Check out our submission guidelines and...
Oct 7, 2025
In the northeastern London borough of Redbridge, a community arts program has transformed a simple electric truck into a vibrant, mobile artwork. Clad in richly embellished metal panels, the touring project is titled “Home Away from Home” and is inspired...
Oct 3, 2025
Welcome to the 305th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists embrace their non-traditional studios and paint wherever inspiration strikes. Want to take part? Check out our submission...
Oct 3, 2025
Welcome to the 305th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists embrace their non-traditional studios and paint wherever inspiration strikes. Want to take part? Check out our submission...
Oct 3, 2025
‣ Film restoration is a kind of magic, one that takes center stage at an annual festival in Bologna celebrating movies that have been brought back to life. Anthony Lane reports for the New Yorker: One of the earliest duties of any restorer is to round up the...
Sep 26, 2025
‣ Florence has long been regarded as the birthplace of the Renaissance, but what influence did earlier Byzantine and Eastern European art have on the movement? Martin Gayford explains for the Spectator: Like quite a few art-historical questions, it goes back to...
Sep 26, 2025
Welcome to the 304th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists relish their studio as a safe haven and allow the work to dictate its own evolution. Want to take part? Check out our submission...
Sep 19, 2025
Welcome to the 303rd installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists bring their beloved pets into the studio and make work inspired by the environments they inhabit, both natural and built. Want to take...
Sep 19, 2025
‣ Ahead of the Studio Museum in Harlem’s reopening this November, Salamishah Tillet asked artists, curators, and educators about the institution’s immense impact on their careers and lives in Harper’s Bazaar: Rashida Bumbray (independent...
Serie Zwei: Panic
$12,000.00
Serie Zwei: Burn
$9,000.00
Serie Eins: Thought
$11,800.00
Serie eins: Hope
$9,000.00
Serie eins: Solace
$11,500.00