It’s often said that history is written by those in power. Thankfully, we have artists to offer perspectives on the past that diverge from dominant narratives. The exhibitions below all look to or represent the past at different points and in varying ways. Two shows at the Metropolitan Museum of Art take steps back in time: one reconsiders what a “copy” is by way of China around 1100 CE, the other travels to the Catskills in the 1950s and ’60s to pay homage to a refuge for trans women. Meanwhile, a riotous show at the Brooklyn Museum partly recreates a vision of 1975 New York by Mimi Gross and Red Grooms, who chose to see the then-downtrodden city in a celebratory light. And in Newark, artist Helina Metaferia places herself among Greco-Roman and Ancient Egyptian artworks and creates her own artifacts to draw attention to colonialism and her Ethiopian heritage. 

As a side note, by including shows such as Metaferia’s and others in neighboring states or upstate that are a quick train ride away, we hope to encourage readers to explore a diversity of areas and art. —Natalie Haddad, Reviews Editor

Helina Metaferia: When Civilizations Heal

Project for Empty Space, 800 Broad Street, Newark, New Jersey
Through August 17

Helina Metaferia, “Amulets 3” (2025), assembled brass sculptures, found objects, and documents (photo Li-Ming Hu/Hyperallergic)

“While Metaferia’s work is doubtlessly scholarly — the show also includes a library of volumes on activism and Ethiopian arts and culture — this exhibition is high on visual pleasure and low on didacticism.” —Li-Ming Hu

Read the full review.

Recasting the Past: The Art of Chinese Bronzes, 1100–1900

Metropolitan Museum of Art, 1000 Fifth Avenue, Upper East Side, Manhattan
Through September 28

Left: Unrecorded artist, Mirror (c. 12th century), copper alloy; right: Mirror stand in the shape of a rabbit (c. 16th–17th century), parcel gilt copper alloy (photo Lisa Yin Zhang/Hyperallergic)

“Around a millennium ago, in 1100, Emperor Huizong of the Song dynasty rediscovered evidence of these [ancient bronze] vessels, launching a revival of bronze casting and a movement to reclaim the virtues of the past.” —Lisa Yin Zhang

Read the full review.

Red Grooms, Mimi Gross, and The Ruckus Construction Co.: Excerpts from “Ruckus Manhattan”

Brooklyn Museum, 200 Eastern Parkway, Crown Heights, Brooklyn
Through November 2

Mimi Gross, Red Grooms, and the Ruckus Construction Co., “42nd Street Porno Bookstore” (1976), mixed media, on view in Red Grooms, Mimi Gross, and The Ruckus Construction Co.: Excerpts from “Ruckus Manhattan” at the Brooklyn Museum (photo Julie Schneider/Hyperallergic)

“[Ruckus Manhattan] not only reflects slices of the city to its residents and visitors, but invites us in to be part of the circus of it all.” —Julie Schneider

Read the full review.

Casa Susanna

Metropolitan Museum of Art, 1000 Fifth Avenue, Upper East Side, Manhattan
Through January 25, 2026

Unknown photographer, “Susanna standing by the mirror in her New York City apartment” (1960–63), chromogenic print; Collection of Cindy Sherman (image courtesy Metropolitan Museum of Art)

“As exciting as it is to see snapshots of this specific community on the walls of one of the world’s leading museums, it’s just a tiny taste of the vast and long-standing history of trans people around the globe.” —Alexis Clements

Read the full review.