MATRIZ, ORDERING THE VOID WITH A SUSPENDED GEOMETRY
IN AN OLD HUNGARIAN POWER PLANT
MATRIZ
‘Matriz’ is a large-scale installation composed of a three-dimensional grid of black rectangles suspended in the air.
Located at the heart of a former turbine factory in Hungary, this composition generates an overwhelming spatial configuration of floating corridors and columns that the public is invited to walk through and experience.
A precise grid of black forms seems to defy gravity, hovering in the air and organizing the void with a rigorous and silent geometry.
Visitors are invited to traverse this structure, moving through ethereal corridors and suspended columns that are not walls, yet define; that do not touch the ground, yet order and orient the space.
In ‘Matriz’, SpY alters emptiness with order. Through the rigorous suspension of simple elements, he constructs a composition that transforms space into a direct physical experience.
Presented and commissioned by INOTA Festival.
PRESS MATERIALS
CYCLES
CYCLES, A KINETIC SCULPTURE
THAT ARTICULATES A DIALOGUE BETWEEN
TIME, MOVEMENT, AND PERCEPTION
‘Cycles’ is a kinetic sculpture composed of nine rings that rotate on their axis, generating a visual ensemble in continuous transformation.
The rings rest on top of each other in a delicate balance that suggests a stability as calculated as it is fragile. Driven from its base by a mechanism, the work unfolds a perpetual choreography: a continuous cycle that produces infinite patterns, in which the shapes collide visually and transform before the viewer’s eyes.
In this process, figures that seemed stable become ambiguous, generating illusions that affect the audience’s perception.
SpY uses movement and time as sculptural materials. These not only alter the perceived form, but also directly affect understanding, causing a state of perceptual dislocation.
PRESS MATERIALS
